Student | Thesis Title |
Eva Bakkum | A New Teenage Heroine in Dystopian Action. Interrogation and Validation of Traditional Femininity in The Hunger Games, Divergent and The Maze Runner |
Lucia ten Berge | Dysrecognition: Emotional Engagement and Estrangement at The Congress (2013) |
Judith Boeschoten | Resurrecting the Dead: a Political Reading of the Humanization of the Zombie Figure |
Tess Boissonneault | Jim Jarmsuch: Fashioning a World of Outsiders |
Jip Brock | Dahl and Anderson: Author Versus Auteur |
Wim Dijksterhuis | Genius, billionaire, playboy, philantropist: the 21st Century Superhero in Film as an Expression of Contemporary Utopia |
Emre Duyar | Re-Imagining Queer Cinema: Finding the Accent in Queer Filmmaking |
Jurrian Fakkeldij | Breaking Bad in de polder. Hollands hoop op kwaliteitsdrama: Narratieve complexiteit onderzocht in het scenario van Hollands Hoop en vergeleken met Breaking Bad op basis van genre, structuur en personage. |
Tomer Gal | The Middle Man. The Art House Film Theatre in the Digital Age |
Ermeson Gondim | Brazilian Cinema Identity in the Age of Postcolonial Globalization |
Simone Houg | Touching Textures Through the Screen: A Cinematic Investigation of the Contemporary Fashion Film |
Sophie Jansen | Hollywood High: Class Society and the Ideology of Conformity in High School Film |
Britt Kaandorp | Transmitting Fear through the Screen. Aesthetics, Narratives and Media in Contemporary Horror Films |
Spring vd Linden | Intimate Technology through Mind, Soul & Body: Exploring the Intertwine of Human and Technology on an Individual Level in Spike Jonze’s Her |
Yvette Luhrs | Doing Pornography Publicly: How pornography is debated in Dutch mainstream media and why it is important to include alternative pornographies |
Bo van der Meer | De stijl van Heddy Honigmann. Een onderzoek naar de documentaires Metaal en Melancholie, Crazy en Forever |
Michou Meijer | The Power of the Creative Dark Child: An archetypal analysis of the Tim Burton films Alice in Wonderland, Dark Shadows and Frankenweenie and how they can be recognised and experienced by the adolescent viewer |
Doortje Peters | Muted Horror. Geluid en the uncanny in Inland Empire |
Mireille Rooijendijk | Taking Care of KAUWBOY’s Nest: Blurring the Line Between the Reputations of Dutch Commercial Films and Dutch Art House Films |
Teuntje Schrijver | Hany Abu-Assad’s Historical Testimonies. History and Identity in Palestinian Cinema of the Everyday |
Eva Smits | Rethinking the Film Star Definition: the Transition of Italian Male Actors from National to International Stars |
Josephine Timmers | Super Citizens: How Superheroes Represent Ideal American Citizenship and Reproduce National Rhetoric |
Maaike Tol | Demarcating the Neurothriller: Reading Film as an Exploration of Patricia Pisters’ Concept |
Tessa Verheijden | Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |