- Cultural memory
- Indonesian war films and popular culture
- Cinema and literature
- Colonial and postcolonial cinema
- Extended cinema and film heritage
- Travelogues
Archives
Marie-Aude Baronian
- Memory, testimony and visual culture
- Film-philosophy
- Ethics
- Material objects and material culture
- Fashion, costume and design
- Armenian diasporic cinema and art
Erica Biolchini
- Film-philosophy
- Film Aesthetics
- Neuro-philosophy
- Media Ecologies
- Eco-critical Media
UvA profile
Bogna Bochińska
- Elemental media
- Environmental humanities
- Ecocinema
Pei-Sze Chow
- Film aesthetics
- Space, place, and identity
- Transnational media geography
- Cinemas of small nations/regions (Denmark, Singapore)
- Algorithms and AI in cinema
- Diversity and representation in film
Emily Clark
- Music and sound
- Ethnographic methods
- Colonial history, migration and diaspora
- Audiovisual archives
- Anthropology/history of the senses
- Representations of culture and nature
Jacob Engelberg
- Queer and bisexual approaches to cinema
- Feminist film theory
- Sex media
- Early cinema
- Film theory
- Critical theory
Jamil Fiorino-Habib
- Aesthetics and politics
- Film philosophy
- Media temporalities
- Queer theory
- Critical theory
Charles Forceville
- Visual & multimodal metaphor/discourse
- Narrative & argumentation across media
- Relevance theory and visuals
- Documentary, animation, comics
- Cognitivist film studies
- Research bridging academia and the real world
Giovanna Fossati
- Film heritage and film restoration
- Digitization and digital cinema
- Film archival theory
- Colour in silent cinema
Abe Geil
- Film theory (classical and contemporary)
- Critical theory
- Film philosophy
- U.S. cinema
Gert Jan Harkema
- Early film history (incl. pre-cinema)
- Philosophy of history
- Aesthetic philosophy
- Precarity in contemporary Dutch film and television
- Mediations of nature
Hemen Heidari
- Cinematic body and memory
- Materiality of cinema
- Cinematic image and sound analysis
- Photography and/in cinema
- Noir & road movies
- Iranian cinema
Sara Janssen
- Film Aesthetics
- Close Reading
- Affect Theory
- Gender and Sexuality
- Pornography
Rhys Steven Jones
- Film theory (classic and contemporary)
- Critical and cultural theory (including queer theory, Marxist theory and affect theory)
- Racial capitalism
- Theories of abjection/disgust/waste/surplus
- Horror cinema / extreme cinema(s)
- Architecture and film
- Speculative fiction and film
- Reality television
Blandine Joret
- Francophone film culture
- Film criticism
- Film and other arts
- Classical film theory
- Media literacy
- Film/media pedagogy
Erik Laeven
- Film dramaturgy
- Script and film analysis
- Film and music, temporality and rhythm
- Adaptation studies
Tarja Laine
- Cinematic affect
- Film and emotions
- Film and art
- Film phenomenology
- Film aesthetics
Catherine Lord
- Practice-based research
- Intermediality
- Adaptation studies
- Literature and film
- Environmental humanities
- Cinema and ecology (eco-films)
- Climate change communication
- Film and psychoanalysis
- Frankfurt School, media, and the culture industry
Emiel Martens
- Postcolonial film and media studies
- Popular geopolitics
- Film (and) tourism
- Audiovisual industries (production, industry, policy)
- Humanitarian communication
- Alternative and activist media
- Cultural entrepreneurship
- Caribbean cinema