| Student | Thesis Title |
| Nicole Akkermans | Music for Happiness |
| Rachel van Bruggen | Mocro Movies: The Representation of Dutch Moroccans |
| Sarah Chovanec | Female Representation in Contemporary Japanese Cinema: Challenging a Patriarchal System of Rewards and Punishment |
| Neven Devies | Enter the Void: Exploring the Subjective/Objective Collapse in the Comtempary Horror Film Aesthetic |
| Jorge Duarte | Ecology’s Princesses: Ecofeminism in Princess Mononoke, Panyo ans Nausicaä of the Valley of the Wind |
| Martino Dugheri | Horror, Humour and Their Coexistence in David Lynch’s Cinema |
| Sam Duijf | Alone in the Crowd: The figure of the flâneur in the work of Wim Wenders |
| Maurita Dumbill | Through the Post 9/11 lens: Reconfiguring Masculinity and Identity in Neo Westerns |
| Johanna Fuhler | The River, the Desert and the Mountains: The Narrative Function of Landscape in Cinema |
| Lisa de Gelder | 007 shaken ánd stirred: a female touch in the characterization of James Bond |
| Jolijn van Ginkel | Girls on Fire: An examination of the agency of the heroine in the modern day action movie |
| Leon Go | Hollywood High: Class Society and the Ideology of Conformity in High School Film |
| Andrew Gordon | Transmitting Fear through the Screen. Aesthetics, Narratives and Media in Contemporary Horror Films |
| Dominique van Helvert | Intimate Technology through Mind, Soul & Body: Exploring the Intertwine of Human and Technology on an Individual Level in Spike Jonze’s Her |
| Gregory Hilton | Doing Pornography Publicly: How pornography is debated in Dutch mainstream media and why it is important to include alternative pornographies |
| Marlieke Hoepman | De stijl van Heddy Honigmann. Een onderzoek naar de documentaires Metaal en Melancholie, Crazy en Forever |
| Christopher Houle | The Power of the Creative Dark Child: An archetypal analysis of the Tim Burton films Alice in Wonderland, Dark Shadows and Frankenweenie and how they can be recognised and experienced by the adolescent viewer |
| Lisanne van Ingen | Muted Horror. Geluid en the uncanny in Inland Empire |
| Tessa Jonkers | Taking Care of KAUWBOY’s Nest: Blurring the Line Between the Reputations of Dutch Commercial Films and Dutch Art House Films |
| Lorraine Joore | Hany Abu-Assad’s Historical Testimonies. History and Identity in Palestinian Cinema of the Everyday |
| Fey Yen van Kolfschoten | Rethinking the Film Star Definition: the Transition of Italian Male Actors from National to International Stars |
| Nina Krijger | Super Citizens: How Superheroes Represent Ideal American Citizenship and Reproduce National Rhetoric |
| Reena Leek | Demarcating the Neurothriller: Reading Film as an Exploration of Patricia Pisters’ Concept |
Sebastiaan Leeman |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Jesse van der Mark |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Dimitar “Mix”Mihov |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Jos Motshagen |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Sofia Murell |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Pam van Nieuwenhuize |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Sarah Oortgijsen |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Roos Philipsen |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Josefien van Poppel |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Dimitris Poteas |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Jael Ragowan |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Maite Regout |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Sanne van Rijswijk |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
Donny van Sas |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
| Emma Sienlink |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
| Ivo Stoop |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
| Caitlin Veen |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
| Tom Veldman |
Gender Matters and Cinematic Imagery: Challenging Heteronormativity and Normalizing Gender Variance through Trans* Cinema |
| Elio Wehbe |
Phenomenology of Cinematic Emotional Expereinces: Intentionality, Multi-Realizability and Philosophy |
| Merel Wijnen |
Open en verborgen filmvertoning in de stad: Een bioscoopgeschiedenis over film in de verenigingsgebouwen en commerciële bioscopen van Deventen en Zutphen |