Tomorrow, Thursday March 3rd, Welcome to the Smiling Coast, the documentary produced by Film Faculty member Emiel Martens, will be screened at the AfricanBamba Human Rights Film Festival in Dakar, Senegal. After the world premiere at the Pan African Film Festival in Los Angeles last month, tomorrow’s 7pm showing at Centre Culturel Jacques Chirac in Thiaroye (situated in the suburbs of Dakar) marks the African premiere of the film. Alhagie Manka, one of the Gambian crew members, will be present to do a Q&A after the screening: ‘these are exciting times for the film and I hope we are going to make Gambians proud by going out into the world.’
For more information: welcometothesmilingcoast.com.
On March 11th, 2016, the book Exposing the Film Apparatus – The Film Archive as a Research Laboratory will be launched at an international seminar in EYE. The book was compiled by Giovanna Fossati and Annie van den Oever and consists of a collection of essays on historical and contemporary film equipment and media technologies.
Continue reading Book Launch and Seminar ‘Exposing the Film Apparatus’
After a great success in Korzo last December, Ensemble Modelo62 will present Ways of Seeing in Theatre De Nieuwe Regentes in The Hague on February 7th at 17:00, during the Sounds of Silence Festival for silent film and live music. Ways of Seeing is a program of four works by different composers where sight, next to listening, plays a substantial role not only for the audience, but also for the musicians, who at some point play blindfolded on a darkened stage. Before the concert, at 16:00, trumpet player and music composition PhD Justin Christensen, along with UvA profesor of Media Studies Patricia Pisters, will present lectures on ‘The Synesthesia of Sound and the Moving Image’.
Continue reading Ways of Seeing in Theatre De Nieuwe Regentes
On Wednesday February 24 at 4pm the film Simondon of the Desert (2012, 110 min.) will be screened for the first time in the Netherlands, in the presence of filmmaker François Lagarde and philosopher Pascal Chabot. The screening, which will be held at the Universiteitstheater (Nieuwe Doelenstraat 16, 1012 CP Amsterdam), will be followed by a discussion (Q&A). For more information and reservations, please contact Marie-Aude Baronian (email@example.com).
Continue reading Film Screening of Simondon of the Desert
The Webcams as an Emerging Cinematic Medium is the title of the first PhD in Artistic Research involving a collaboration between the University of Amsterdam and the Gerrit Rietveld Academy. This research combines theory and art practice to analyse video surveillance as form of filmmaking and the consequent impact on processes of subjectification in urban spaces.
Continue reading PhD defense and expo opening ‘The Webcam as an Emerging Cinematic Medium’
Friday January 15th Cinéart in collaboration with NALACS and Fiesta Latinoamericana will host the Dutch premiere of the award-winning Chilean documentary El botón de nácar (The Pearl Button, 2015) directed by Patricio Guzmán. The film will be screened at 21.00 hrs in De Balie in Amsterdam, after which there will be space to talk, network and dance in the bar area.
Continue reading Dutch premiere of El botón de nácar in De Balie
From February 4 to March 10, EYE and the University of Amsterdam present This is Film! Film Heritage in Practice, a series of public lectures at EYE reflecting on exceptional film restorations and film heritage projects. Giovanna Fossati (Chief Curator at EYE and Professor of Film Heritage at the UvA) addresses, in the course of six lectures, a wide range of restoration and presentation projects, spanning from pre-cinema to recent experimental films and Hollywood Classics. The topics include not only regular theatrical projections, but also film installations and exhibitions of film apparatus. Each weekly edition features a guest speaker, a Q&A session and film screenings, often also accompanied by live music.
Continue reading This is Film! Lectures on exceptional film restorations and film heritage projects
The Museum of Modern Art in New York (MoMA) has invited EYE to compile two special film programmes for the annual MoMA Festival of Preservation. To Save and Project is an international film festival showcasing recently preserved and restored film works from November 4 through 25.
To Save and Project: the 13th MoMA International Festival of Film Preservation. From November 4-25.
Continue reading EYE participates in MoMA’s To Save and Project Festival
“Dissolves of Passion”? Materially thinking through editing in digital videographic film and moving image studies
Thursday 26 November 2015, 17.00 – 19.00, OMHP D 0.09
Focusing on a number of videographic explorations of matters of film editing (including several of her own), Grant’s talk will ask what such practical, digital and audiovisual modes of research and presentation — ones which themselves evidently turn on editing — might add to the study of a cinematic feature that (with a number of key exceptions) has not received much sustained attention to date in written film scholarship.
Continue reading Catherine Grant lecture on Thursday 26 November 2015
Film Studies faculty member Dr. Maryn Wilkinson to introduce Bandit Queen (dir. Kapur, 1994) on 13th October at 18:45 hrs.
Continue reading Indian Film Festival in The Hague from 7-14 October 2015
Bezoekers die meer willen weten van de Japanse cinema kunnen vanaf 5 oktober in EYE gedurende acht maandagavonden een in samenwerking met de Universiteit Leiden georganiseerd filmcollege volgen. Deze reeks van acht colleges biedt een overzicht van de Japanse film vanaf de vroegste stille films tot aan de arthousefilms uit het Japan van nu. Aansluitend op de colleges worden films vertoond die een doorsnede bieden van het programma van Mūbii Japan.
Quirine Racké & Helena Muskens will be the next guest curators in THE LIMA COLLECTION series. On September 15, the artist duo will give an insight into the relationship between media art and cinema.
In this screening series, the various (hi)stories of the LIMA collection and media art are being told with a focus on the main recurrent themes: activism, performance, cinema and medium specific.
Tuesday, September 15
LIMA, Arie Biemondstraat 111, Amsterdam
8:30 – 10:30 PM
7.5 / 5 euro
12 September 2015 through 17 January 2016
Twenty years on from the groundbreaking Amsterdam workshop Disorderly Order: Colours in Silent Film, this conference will celebrate this milestone anniversary by providing a new forum to explore contemporary archival and academic debates around colour in the silent era.
The conference will explore a diverse range of archival and academic topics and provide a stimulating environment for specialists from across different disciplines. It will also include screenings of restored and/or rarely seen films.
The keynote speakers will be filmmaker and writer Peter Delpeut (Lyrical Nitrate and Diva Dolorosa), Tom Gunning (University of Chicago) and Vanessa Toulmin (National Fairground Archive/University of Sheffield). Read more
From 12 February to 19 March, EYE and the University of Amsterdam are presenting a series of public lectures on film restoration at EYE. Each lecture is accompanied by film screenings. The lectures can be followed as a series or individually.
EYE is renowned around the world for its film restoration work. In conversation with international guests, Giovanna Fossati (chief curator at EYE and professor of Film Heritage and Digital Film Culture at the UvA) analyses a number of remarkable film restoration projects, such as the European classic Menschen am Sonntag, Stanley Kubrick’s Dr. Strangelove, the digitization of early colour films (1897-1914) from the EYE Collection, and the 4K ‘restoration’ of the TV series Breaking Bad, which is currently being carried out by Sony Pictures Entertainment.
Screening and Q&A Golden Leopard Winner From What Is Before (December 7th 13.00) and Storm Children (December 8th 21.30) and Q&A with Lav Diaz, one of the 2014 Prince Claus Laureates. Immerse yourself in Lav Diaz’s groundbreaking cinema.
Storm Children delves into the aftermath of the the deadly Typhoon Yolanda (Haiyan) in November 2013. Freight ships thrown from the sea lie between what remains of houses and shacks. In the middle of this post-apocalyptic scene, a horde of children are creating a new world for themselves.
Q&A with Lav Diaz hosted by Bregtje van der Haak (documentary filmmaker, journalist, & Prince Claus Fund Board Member). In partnership with International Film Festival Rotterdam.